Al Jazeera’s Life on Hold is an expansive and immersive web documentary about the struggle of Syrian refugees in Lebanon. Through a series of intimate character portraits showcasing first-person stories and impressions of their day to day lived experience, the website highlights the human story behind the deafening numbers of the Syrian refugee crisis.
The website also features interactive artwork created by Syrian artist Tammam Azzam, exploring the concept of memory and identity. In turn, Tammam’s artwork acts as a canvas for the public to leave messages for the individual refugees.
In collaboration with KNG FU.
A series of risograph prints and a large-format plotter print composed from images of vernacular signage from the Junction neighbourhood of Toronto. Created for and exhibited as part of the Toronto Design Offsite Festival 2015, as a commentary on gentrification and urban change.
Conceived and designed in collaboration with Studio Jaywall.
A conceptual T-shirt design and editorial obliquely addressing the contemporary conditions of precarity and anxiety in relation to capitalism. The shirts are paired with a copy of the We are all very anxious zine and distributed together in limited editions, linking the two in order to experiment with fashion as a carrier for critique.
A zine edition of the Institiute for Precarious Consciousness’ important and timely text We are all very anxious, discussing the affective dimensions of capitalism, popular movements in relation/resistance to these, and strategies for the contemporary situation. Paired with The Precari-Tee project as an experiment with fashion as a carrier of critique.
Limited edition bespoke DVD packaging and booklet design for the documentary film Come Worry With Us.
Programme design for The HTMLLES 2014, a bi-annual feminist festival of media arts and digital culture. This year's festival was entitled Zero Future. The editorial approach and image treatments underscore the dissonant thematic of the festival.
In contemporary Australia the words ‘country’, ‘decolonisation’, ‘family’ and ‘law’ are loaded with meanings that differ greatly from person to person across this nation’s Aboriginal and migrant communities.
As part of Memefest 2014, we developed a collaborative project that explored this diversity while also challenging people's (and our own) understanding of the terms through a four-part publication and street poster series.
Portrait photography by Samantha Edwards. Project facilitated in collaboration with Alana Hunt.
As part of Memefest 2014, these posters and badges were created to provide the Brisbane Aboriginal Sovereign Embassy and their allies with strong visual iconography to assert the aboriginal presence within Brisbane's urban landscape specifically, as well as other Australian cities by extension.
Designed in collaboration with Ella Byworth, with the inspiration/guidance of BASE's Jade Maree.
Visual Identity and poster/brochure design for Cinema Politica's Divine Interventions screening series, showcasing documentaries that explore the interesection of spirituality and social justice.
Album packaging design and visual identity for the Barr Brothers Sleeping Operator. In collaboration with artist Brigitte Henry.
Intimate Distance is a limited edition newsprint zine that presents a selection of photographs by Montréal-based photographer Vo Thien Viet. Thien’s photography played a crucial role on the front lines during the student protests in Québec in 2012. This collection proposes a transition, a more subtle, personal and holistic documentation of moments that make up a politically engaged life.
Documented before a meal of twice cooked pork. Available for purchase from the shop.
This graphic was originally conceived as a solidarity statement with the people of Ferguson and their right to resist police oppression, to challenge the dominant media narrative and its reasoning of the riots. With further development, the series acts as a generalised critique of the liberal mindset, and as positive, flowering even, encouragement for those who critically oppose it.
It was also adapted as a supporting graphic for Memefest 2014, the theme of which, Radical Intimacies: Dialogue in Our Times, matched well with the intentions of the design.
Visual identity development and brand positioning for the studio. The simplicity of the logo belies more complex meanings by altering the traditional (Western) reading direction and locking up bled-off the canvas. The bottom left positioning itself is a subtle political statement.
The presence of the tagline as a central part of the visual identity reaffirms the studio’s expertise and its purpose.
An online memorial to the Gazans killed during Israel's operation "Protective Edge", July–August 2014. The dead have names...
With music by Stefan Christoff and Rebecca Foon. Co-created with Tarek Sherif.
Poster series designed to visualise opposition to the proposed Québec Charter of Values. The posters were distributed through a network of feminist artist-run centres, wheatpasted in the street and used in public demonstrations.
A variety of poster designs for documentary films, events and exhibitions, artistic and political statements.
Apartheid Wall poster designed by Jason Kuhrt, art direction by LOKI. Coeur-Rage designed in collaboration with Sarah Boris.
Issue thirteen of Four Minutes to Midnight, a collaborative, experimental, literary arts zine. The issue emerges out of the experience of the Québec Student Strike, but is not specifically “about” it, acting more as a reflection on 10 years of community organising, designing and publishing, making music, and strolling through gentrifying neighbourhoods in opposition to neoliberal capitalism.
Screening Truth to Power celebrates 10 years of Cinema Politica, collecting essays, interviews and top documentary lists by filmmakers, academics and activists that have supported the network over the years.
Available for purchase from Cinema Politica.
Online fashion editorials for SSENSE. Creative direction by Pete Hellyer, photography by Brent Goldsmith.
Art direction, UX and design of the SSENSE e-commerce and editorial website, focusing on a minimalist, responsive layout.
Absurdist SS13 sale campaign for SSENSE. GIF design collaboration with Claudia Mate.
Animated fashion editorial to announce the arrival of the Stella McCartney brand at SSENSE. Creative Direction by Pete Hellyer. Photography by Brent Goldsmith.
Evolution of the SSENSE brand, based on the redefinition of its core values and brand expressions. Included the refinement of the logotype, visual identity applications across all platforms, typography, editorial and e-com photography, and advertising standards.
Website concept and design for Lait au chocolat, transitioning it from a campaign-based platform to a content platform focusing on Olympic athlete-ambassadors, training and nutrition.
Title card design for the documentray film Come Worry WIth Us. The film explores the challenges of working as independent musicians and raising a family.
Selected posters to announce various concerts and events organised by the Howl Arts Collective.
One-sheet CD packaging for a compilation of live recordings by Nick Schofield of Howl concerts.
A collection of screen captures selected and edited from Super-8 home movies shot by my dad.
CD packaging for Jazz musician Brahja Waldman's double album; Cosmic Brahjas and Closer to the Tones.
Catalogue design for Skol centre des arts actuels collecting materials produced during The Unkown Artist exhibition cycle, including an illustrated essay by curator and author Bernard Schütze, and a transcription of artist Sophie Castonguay’s interventions.
Various design materials for Skol, centre des arts actuels.
Cinema Politica Selections presents a catalogue of CP’s Canadian films, artist and project profiles, photos of locals, etc. recapping the last year of the organisation’s activity.
Two poems and a brick.
Gold Letterpress dyptich featuring the lyrics of WU-TANG's classic track. Originally designed as part of Artivistic's Promiscuous Infrastructures exhibition as a rumination on art and labour.
Guest edited issue 36-1 of Fuse Magazine with the Artivistic collective, reflecting on the Quebec student strikle, education and social struggle. A key graphic element was a series of typographic illustrations illustrating slogans used during the strike.
Documentation of the Promiscuous Infrastructures vernissage at Skol. Photos by Sylvia Lo, Thien V. and Ianna Book.
Artivistic's Promiscuous Infrastructures (Phase II) exhibition at Skol. The exhibition materialised and exploded our creative research on infrastructures into the space, creating a temporary print studio, reading room/lending library, a slightly ominous meeting space and convivial dining room.
Given the political context of the exhibition/research, PI2 extended into the streets, and also brought "the street" into the gallery space, becoming a creative locus for organising during the student strike.
Poster series (and sticker) in support of the Grève générale illimitée during the Québec student strike of 2012.
Photos from the crowd during the massive 22 mars, 2012 demonstration against tuition hikes.
A selection of logos and wordmarks.
Artist Book/Portfolio for Emilie Grenier's interdisciplinary practice Comme des Machines.
Issue twelve of Four Minutes to Midnight, a collaborative, experimental, literary arts zine. This issue celebrates the 10th anniversary of Expozine, Montreal's annual small press, comic and zine fair. It features an expansive collage of work that has been exhibited at Expozine over the years, alongside interviews with the organisers and an complete list of all the exhibitors who have participated over the years.
Issue eleven of Four Minutes to Midnight, a collaborative, experimental, literary arts zine. The double issue features Happy Hour, a suite of 60 poems by the late American outsider poet FA Nettelbeck, illustrated by artist Sophie Jodoin, and Fugue XI, a slim booklet featuring a collaborative, typographic, poem.
Issue ten of Four Minutes to Midnight, a collaborative, experimental, literary arts zine. The issue is loosely themed around the notion of radical beauty, and features work from over 30 artists and authors.
International Solidarity Poster Project for Palestine. A silkscreen poster series (produced in collaboration with Just Seeds), events, exhibitions and talks in support of the BDS movement and the Palestinian struggle for liberation. Various artists.
Photo series exploring the abandoned parking structure at Parc and Van Horne.
Experimental print series designed in collaboration with photographer Aram Tanis.
Video-driven website for musician Patrick Watson to coincide with the launch of his album Adventures in Your Own Backyard.
CD packaging for Kaie Kellough's sound poetry/collage album Vox:Versus.
Typeface designed as a commentary on the trend (at the time of the design) of counterless, geometric sans-serifs.
Graphic identity, design templates and website for the Cinema Politica Network, the largest volunteer-run, community and campus-based documentary-screening network in the world..
Redrawing of the logo and design of the website for ckut 90.3, a non-profit, campus-community radio station based at McGill University.
Brand identity and website design for Bloom Digital Platforms, a boutique advertising technologies company.
Online brand system and website designs for the Germain Group's suite of luxury hotels
CD packaging for Arometis compilation, a collaboration between 17 Montréal-based musicians and composers.
Event identity and brochure design for Artivistic's Turn*On edition, a 3-day gathering engaging the proxemics of sexuality, technology, and politics.
A hybrid typeface mash-up between Neue Helvetica and Wilhelm Klingspor Gotisch. A commentary on fascism and invisibility.
Include in Fraktur Mon Amour, by Judith Schalansky.
Performance (by John W Stuart) developed for Obx Labs, using captured speech and responsive typography to visualize the spoken word.
Drone is an experimental typeface where each character is created out of fragments of old poems. Created with John W. Stuart.